Containing over 7,500 entries, covering all genres of rock, from classic rock, to heavy metal; punk, rap, disco, British Invasion and much more, this second edition of a well-received book has been revised and updated to produce an invaluable index. Rock Song Index, 2nd edition indexes the classic songs of the rock canon, from the late 1940s through to the end of the twentieth century. The study of the history of rock music has exploded over the last decade; all college music departments offer a basic rock-history course, covering the classic artists and their songs. Arranged A to Z by song, the index includes composer, performer, record label, release date, annotation about the song's significance and now has new indexes for artist, songwriter, producer, and year. Any student, professional, scholar or general reader will find this an invaluable reference book in the field of rock music.

In October 2016 the Swedish Academy finally conceded to a quarter-century's worth of clamorous petitions and sustained lobbying enacted by a chorus of poets novelists songwriters and academics. At long last Bob Dylan was awarded the Nobel Prize in Literature his vast corpus spread out like Highway 61 behind him. How is a Dylan debutante to make sense of the song and dance man's six decade career? How might a diehard Dylan fanatic stumble upon something they didn't know they didn't know? Why with award-winning journalist Bruce Pollock's EBob Dylan FAQE of course!THEBob Dylan FAQE the latest installment in Backbeat's FAQ series condenses the life and times of America's premier songster into an addictively vivacious 400-page brick jam-packed with critical analysis minutiae photographs ephemera and period history. Every aspect of Dylan's life and career from his ever-expanding discography touring history fallow periods literary and visual artistic efforts peers influences and legacy to his devoted fanbase is explored. Best of all the book's structure invites perusing at any random point as each chapter serves as a freestanding article on its subject. Dive into Dylanana with EBob Dylan FAQE!

This issue of the Neurosurgery Clinics of North America devoted to Intracranial Stereotactic Radiosurgery is Guest Edited by Dr. Bruce Pollock of the Mayo Clinic in Rochester, Minnesota. Articles in this issue include: Concepts and Techniques of Intracranial Stereotactic Radiosurgery; Stereotactic Radiosurgery of Intracranial Meningiomas; Stereotactic Radiosurgery of Pituitary Adenomas; Stereotactic Radiosurgery of Vestibular Schwannomas; Stereotactic Radiosurgery of Non-Vestibular Schwannomas; Multi-session Radiosurgery of Benign Intracranial Tumors; Stereotactic Radiosurgery of Intracranial Gliomas; Stereotactic Radiosurgery of Brain Metastases; Stereotactic Radiosurgery of Chordomas, Chondrosarcomas, and Glomus Tumors; Stereotactic Radiosurgery of Intracranial Arteriovenous Malformations; Stereotactic Radiosurgery of Intracranial Dural Arteriovenous Fistulas; Stereotactic Radiosurgery of Intracranial Cavernous Malformations; Stereotactic Radiosurgery for Trigeminal Neuralgia; and Stereotactic Radiosurgery for Epilepsy and Functional Disorders.

(Book). On February 13, 1914, a group of the nation's most distinguished and popular songwriters gathered together in New York City to support the mission of ASCAP, a new organization for publishers and songwriters. A few years later, ASCAP received its mandate from the Supreme Court to collect royalties for the public performance of copyrighted material. Over the course of the next century, ASCAP has been as prominent a force for the advancement and nurture and financial well-being of songwriters as any record label or publishing outfit one would care to name. With a responsive board of directors made up entirely of songwriter/composer and publisher members, ASCAP has defended creators' rights at every turn against those who would seek to devalue music. Today, with copyright under renewed assault, its mission is as resonant and vital as ever, along with its relatively new role as a nurturer of the young artists who represent the future of music. Award-winning music writer Bruce Pollock explores the growth and changes within this complex society and its relationship to emerging technologies, in the context of 100 years of an ever-evolving music business, to see how ASCAP has become, for those who hope to make a living making music, now more than ever, "a friend in the music business."

(Book). A fast-paced, fun, and sometimes brutal look at America's most volatile and creative year in music 1969: a time of euphoria and devastation, freedom and assassination, revolution and retribution, moonwalks and sit-ins, love-ins and race riots, sex, drugs, and guns. Idyllic college campuses became killing fields and inner cities went up in flames as the drumbeat of popular music tried to drown out the drums of war. 1969 was birthed through the visions and violence of 1968. By the Time We Got to Woodstock breathlessly documents a year that saw more music-as-manifesto and rock-as-revolution than ever before. At one mad outdoor party after another from Miami to Denver, and from Woodstock to Altamont cracks in the promised hippie utopia quickly turned to canyons. This was the year that saw the Beatles go supernova while Bob Dylan hightailed it to Nashville. From the Byrds, Joan Baez, Jimi Hendrix, the Airplane, and Janis Joplin to the Velvet Underground, the Mothers of Invention, Funkadelic, and the Fugs, 1969 stands up as a decade-smashing anomaly in the annals of rock'n'roll captured gloriously in this blistering book.